A MURRIALITY is the first survey of renowned Waanyi artist Gordon Hookey.
A MURRIALITY is the first survey of renowned Waanyi artist Gordon Hookey. Across sculpture, printmaking, video, and large-scale painting, A MURRIALITY presents perspectives on historical and contemporary issues affecting Aboriginal and Torres Strait Islander peoples. Best known for its biting satire of Australian culture and politics, Hookey’s work interprets the world through the lens of a Murri person, questioning everyday language, cultural representations, legal injustices and international politics.
Curated by Liz Nowell and José Da Silva.
Please note: This exhibition contains adult content including strong language and graphic imagery.
Gordon Hookey was born in Cloncurry, Queensland in 1961. He currently lives and works in Brisbane. Hookey belongs to the Waanyi people and locates his art at the interface where Aboriginal and non-Aboriginal cultures converge. Hookey’s work is informed by domestic and international events and policies that affect Indigenous communities globally, with his lived experience as a Murri and Aboriginal person at the forefront of his work. His style and approach is distinctive in its vibrancy and best known for its biting satire of Australia’s political landscape, its leaders and representatives. Hookey is a core member of Brisbane-based Indigenous collective proppaNOW alongside fellow artists including Richard Bell, Vernon Ah Kee and Jennifer Herd. His work is held in major collections within Australia including the Queensland Art Gallery | Gallery of Modern Art in Brisbane, the Art Gallery of Western Australia in Perth, the National Gallery of Australia in Canberra, and the National Gallery of Victoria in Melbourne. Hookey has shown work nationally at The National: New Australian Art, the National Indigenous Triennial, the Biennale of Sydney, the 10th Asia–Pacific Triennial and internationally at documenta 14 in Kassel and Athens.
Image: Gordon Hookey. Photography: Rhett Hammerton.